Olga Balema 作品

邸特绿 绘画艺术坏蛋店 2019-07-27

Olga Balema  *1984, Lviv, Ukraine — Lives and works in Berlin and New York





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Olga Balema的雕塑和绘画明显地与她所用材料的物质性有关,无论是钢管还是破碎的英语碎片。她的作品以各自的衰败或功能失调作为审美选择。她将鹅卵石、氧化管道、水泥和报纸悬浮在水中或乳胶袋中,密封并放在地板上,有效地改变了它们的特性,或使它们完全无用。由铁或生锈金属板制成的拉伸手套是抽象的,依赖于观众的想象力,而不是疏忽大意的迹象。


Untitled, 2017

Vinyl, foam, wood, steel

62 × 94 cm / 24.4 x 37 in







Untitled, 2017

Vinyl, foam, wood, steel

62 x 63 cm / 24.4 x 24.8 in







become a stranger to yourself, 2017, 

Soft PVC, water, steel, fabric, latex, photographs, silicone 

55 x 30 x 3 inches (139.7 x 76.2 x 7.6 cm)







become a stranger to yourself, 2017, 

Soft PVC, water, steel, fabric, latex, photographs, silicone 

55 x 30 x 3 inches (139.7 x 76.2 x 7.6 cm). 







 the look, 2017, 

Soft PVC, water, latex, 

54 x 20 x 2 1/2 inches (137.2 x 50.8 x 6.4 cm)







drives, 2017, 

Soft PVC, latex, water, steel, tulle, clips, 

54 x 21 x 2 1/2 inches (137.2 x 53.3 x 6.4 cm)







become a stranger to yourself, 2017, 

Fabric, latex, photographs, silicone,soft PVC, steel, water, 

7.6 × 139.7 × 76.2 cm







 Notes from the Capital, 2016, 

Latex, steel, wool fabric, fabric, 

37 x 19 x 78 inches (94 x 48.3 x 198.1 cm)







a thin skin under which a gigantic cauldron of blazing fire was blazing, 2016, 

Latex, Magic Sculpt, 

5 x 9 x 14 inches (12.7 x 22.9 x 35.6 cm)







A thing filled with evil streams, 2016, 

Wood, latex, Magic Sculpt, cell phone motors, batteries, 

31 x 8 x 7 inches (78.7 x 20.3 x 17.8 cm)







Globe, 2016, 

Globe, latex, pigment, 

96.5 × 61 × 51 cm, Unique







Everybody and their mother, 2016

Map, latex, pigment, acrylic paint

53 1/10 × 59 4/5 × 5 9/10 in

135 × 152 × 15 cm







Necessity is the mother of all invention, 2016

Map, latex, pigment, acrylic paint

53 1/10 × 63 × 4 7/10 in

135 × 160 × 12 cm







Motherfucker, 2016, 

map, latex, pigment, acrylic paint, 

73 × 110 × 12 cm







Untitled (from the series Motherland), 2016

Map, latex, pigment, acrylic paint

37 × 61 2/5 × 6 3/10 in

94 × 156 × 16 cm







Von der vorgeschichtlichen Zeit bis zum ende der Völkerwanderung, 2016. 

Map, latex, pigment, acrylic paint. 

39 x 63 x 5 inches







Threat to Civilization 3, 2015

Soft PVC, Steel, Water

34 × 93 1/2 × 52 in

86.4 × 237.5 × 132.1 cm







Threat to Civilization 2, 2015

Soft PVC, Steel, Water

18 1/2 × 39 × 37 in

47 × 99 × 94 cm







Regulatory Bodies (FDA), 2015

Metal, salt-pickled cucumber slices

39 2/5 × 19 7/10 in

100 × 50 cm







Wild possession, 2015, 

feeding trough, paint, 

36 × 154 × 18 cm







Latest scientific research, 2015

Feeding trough, paint, steel, latex

16 1/2 × 41 3/10 × 30 7/10 in

42 × 105 × 78 cm







Warm Bodies N, 2014

Steel, foam, latex

145 7/10 × 82 7/10 × 100 2/5 in

370 × 210 × 255 cm







Interior Biomorphic Attachment (5), 2014, 

Steel, latex, poly foam, 

61 × 370.8 × 30.5 cm







Untitled, 2014

Plastic box, steel, hoses, water pump, textile

11 4/5 × 31 1/2 × 3 9/10 in

30 × 80 × 10 cm







Untitled, 2014, 

Steel, plastic tub, waterpump, water, leggings bought at market in Shanghai, 

38 × 70 × 32 cm







Alchemy, 2013

Plastic box, steel, hoses, water pump, textile

21 7/10 × 22 × 22 in

55 × 56 × 56 cm







How it feels I and II, 2013

plastic box, steel, hose, water pump, textile

101 x 47 x 80 cm







Olga Balema, installation view Made in Germany, Kestnergesellschaft, Hannover, 2017



Olga Balema, installation view Ungestalt, Kunsthalle Basel, 2017



Olga Balema, installation view Ungestalt, Kunsthalle Basel, 2017



Olga Balema, installation view Non of the beauty of the landscape can reach her pupils anymore, High Art, 2017



Olga Balema, installation view On the Brink of my Sexy Apocalypse, Hannah Hoffmann, 2017



Olga Balema, installation view On the Brink of my Sexy Apocalypse, Hannah Hoffmann, 2017





©Olga Balema










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绘画艺术坏蛋店是一个调戏自己愚弄大家的肥发组织,本人出于对高压、宿醉、二进宫、当代毁画、土逼要棍乐、寻衅滋事等癖好分享雷锋做好事的心得而乐此不疲。

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